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Upcoming Projects

The Wizard of Oz

Springside Chestnut Hill Academy Boy Choir

Thursday May 17th at 1pm and Friday May 18th at 7:30pm.

 

Murder at the Oscars

The Broadway Theatre of Pitman

June 15th and 16th at 8pm and June 17th at 2pm.

I play Audrey Hepburn! A role I was born to play! 

 

A Midsummer Night's Dream

Hedgerow Theatre

June 30th, by invitation only. Please contact the Theatre if you would like to attend.

I play Helena. The other role I was born to play!

Reads and Resources
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Monday
May142012

Do we Teach the Product? Or the Process? And, Does it Matter?

April was full of events. Actually, most of them occurred all in 1 week! My high school students presented A Midsummer Night’s Dream and their semester dance performance. My students at Hedgerow performed for a fundraiser. Through it all, I was coaching, correcting, writing program notes, performing as well, and just generally hoping for the best.

Weeks like that are the best and the worst. We celebrate as all of our hard work, scolds, suggestions and teaching become a beautiful final product. And, we worry that it won’t. Somehow, it always seems to “come together”. Yet, I’m concerned that miracle of adrenaline is something we take for granted. Do we, as teachers and directors, just trust it will “come together”, and then not instill in our students the importance of discipline, rehearsing as you would perform, and taking pride in one’s work, as much in the process as the product?

If we do not encourage our students to be disciplined- prepared, on time, respectful of the process, their peers and their authorities- we miss a chance to prepare them for college and jobs, where they will not have us there to remind them.

If we do not have them rehearse as they perform, we do not teach them that the arts, and most things in life, are group efforts. That the actions (or lack thereof) of one person has a ripple affect on the group, with consequences s/he may not foresee when focused on him/herself.

If we do not encourage our students to take as much pride in the process as in the finished product, we do not actually encourage learning. We are telling them that the end is all that matters. We do not take mistakes and failures as learning opportunities, rather we just focus on the happy ending (see chapter 1 of Jonah Lehrer’s Imagine). And in that, we don’t encourage creativity. If we cannot teach our students to try, to fail, to try again, to seek ways to improve we are not educating them. We are not creating a generation of resilient, innovative thinkers and doers, who operate with perspective and insight. We are simply teaching them to get to the end. By whatever means necessary.

The arts in education should not be about just getting to the end- the performance, the final piece, the presentation. The arts in education should be a time to teach the value of exploration, to embrace learning and process as just as important as the finished product. If you never start, you can never finish. If you do not learn as you go, you will not end up in any place different than where you started. 

Saturday
May122012

Let’s Review- How’d we get this far into May already?!

Why we Do What we Do-- I’ve spent a couple of hours over the last week typing up the comments on our audience response cards at Hedgerow. It’s been a refreshing reminder of the power of theatre to teach, lead us to questions and help us discover our own answers. Adam Thurman at Mission Paradox writes similarly- “But when it works . . .It can change lives. Never forget that.”


Kelly Dylla at CreatEquity.com examines the role of a “teaching artist” and argues that they should be involved with the oh-so-hot topic of “audience engagement”. 
Money quote: 

“This is a distinct discipline from learning one’s art form to produce finished works of art. A teaching artist is not just an artist or an art teacher; they study and are inherently interested in how others experience art. They are able to craft lesson plans, events, and performances that help facilitate deeper intrinsically-motivated experiences for all types of audiences.”

Thought for the week from Sasha Dichter:
"You can’t make people care.
You can make people act.
How does knowing this change what you say and do?"

Friday
May042012

Let's Review Week of 4/30

Arts Education

Leo Babuata at Zen Habits offers some interesting thoughts on learning. As a teacher, and typically a happy one, in both academic and studio settings, I’m always interested in educational theory. This time of year, it’s always a bit difficult to keep the kids focused and motivated. And I’ve found the past few weeks to be tough on me, mentally and emotionally (more on that next week).
Money quote: “The teacher’s job, really, is to fascinate the student. Fascination is the key to learning. Then help the student put the fascination into action.”

Being an Artist

I think Akhila Kolisetty read my blog post about striving!
Deep thought: “For me, at least, I’ve come to realize that constantly plotting my next step comes out of not fully being happy where I am in the present moment. If I work towards a situation where I’m in the place I want to be in life, of course, I don’t need to satisfy myself by trying to cross the next finish line. But the challenge for me – and I suspect for you too – is enjoying the moment even when the moment isn’t picture perfect.”

Sasha Dichter reminds us to practice a mentality of abundance- in personal and work settings. 

Tuesday
Apr242012

Let's Review- Arts Advocacy Week

Randy Cohen give us 10 Reasons to Support the Arts.

Adam Thurman at Mission Paradox gives us 3 challenging thoughts.

Monday
Apr092012

A Long Over-Due Let’s Review- Week of 4/2

AL Kennedy at the Guardian on why suffering as a artist is over-rated.
And 99 Seats at Parabasis vehement agreement.

Richard Dare, CEO and Managing Director of Brooklyn Philharmonic challenges artists to challenge their audiences.